Pinot Noir - Australia
In the past, Australia has threatened the Kiwis supposed Pinot hegemony, but this year they slipped back somewhat. Their solitary Gold put them firmly in the ‘also-ran’ category, very much trailing in the wake of not just New Zealand but also Chile this year.
It wasn’t that the wines weren’t good, we don’t think – just that there were significantly fewer sent in here than in the past. It’s odd, because we know the Aussies can do this grape well, so you’d think they might want to back it a bit more.
The Yarra exerted a disproportionate influence on the medals – almost half our medal-winners came from here. It would be good to see a few more from the Adelaide Hills, Mornington and Tasmania, which have strong regional styles and plenty of proven Pinot credentials.
From The Tasting Teams
‘In terms of price point and quality these were very good. Everyone is trying to find the ideal Pinot Noir but that’s impossible. There were few with balance, finesse and ripe fruits. There were some funky ones as well, which were interesting. Different noses, different textures and flavours we’re not used to.’ Agostinho Leite, Bistrot Pierre at The Royal William Yard
‘The bottom end was really good and competitive. The middle was less exciting, and at the top the wines got exciting. One was stunning: balanced, complex Pinot Noir. It reflected what Australian is good at: precision winemaking.’ Andre Luis Martins, Cavalry and Guards Club
‘It’s amazing how far Australia has come in my lifetime in Pinot Noir. There were some incredible examples at both low and high prices.’ Gary Newborough, The Aristologist
‘There were decent wines here at all price points. They had quite high acidity at times, so it will be interesting to see where they’re at by the end of the year, but there was good typicity. They showed you where you were without being in your face.’ Nigel Lister, St. Swithins Wine Shippers
‘Pinot Noir is not one of my favourite grapes – I tend to like more structure in red wines, but some of these were really good!’ Elisa Soggia, Trivet